Even though it is only an hour from home, Bath is our weekend away destination of choice. We like to stay in the same hotel, visit our favourite restaurants, and cycle through the various bookshops in what we agree is the optimal order. We finish with Topping & Company, which describes itself (entirely accurately) as ‘a haven for book-lovers’. There are shelves that go all the way to the ceiling, complete with library staircases. There are little nooks and crannies where one can enjoy one’s free cup of tea entirely surrounded by books. There is a large, impressive and constantly changing natural history section, which I am gradually transferring to our house one book at a time. It is a magical, life-enhancing and (for us) life-changing place, because on one of our trips, a member of staff at Topping & Co. brought her teeny-tiny Jack Russell to work. The dog’s name was Lettice; she let me play fetch with her for a good ten minutes; and she is the original Tiny Book Hound. Here is what has happened since then in our quest to acquire a hound of our own.
An indeterminate number of days leading up to Sunday. We are agreed that we’d like to get a Tiny Book Hound of our own (I try ‘Small Questing Beast’, but even in the privacy of my head this doesn’t catch on). We have a lot to offer a dog, we reason: there is the garden, full of exciting smells and insects; there is the fact that as a freelance I am home almost all day, almost every day; there are my morning walks, which always feel a bit silly without a dog; there is Giant Bear’s ability to charm any small dog simply by picking it up and rubbing its tummy (they usually fall asleep); there the dogs next door to hate and bark at; and there are trips on the boat, surely the most fun an adventurous dog could ask for (although see Tales from the canal-bank).
It’s emotionally draining just looking at the pictures and descriptions on the internet. I’ve only had one big dog, and Giant Bear only one small dog. Because of the nature of rescue animals, there are rarely more than two decent pictures and very few actual details about the dogs, all of whom seem to have irritatingly whimsical names (Trixie, Smudge, Buster etc.); I’ve given all the dogs pseudonyms so as not to embarrass or identify the shelter, but also because the names they have right now are objectively horrible. Some shelters provide little videos of the dogs running fetchingly across a field (i.e. they look good doing it, and also are probably actually fetching something), with emotive piano music in the background. I keep waiting for one of the dogs to lift its leg as the music swells into a key-change (that’s the dog for us, I think), but none of them do. They seem impossible varied and mostly rather unappealing, like the diplomatic dog show in Stiff Upper Lip: ‘huge ones, little ones, squashed-looking ones and ones that looked like cold rissoles.'
Sunday. Resolved to get a small, garden- and boat-friendly dog (i.e. one that can be lifted into the boat and/or whisked out of the canal with ease), we also agree that we don’t want to house-train a puppy, and we can’t afford an old dog with health problems. We drive to the shelter. The kennels are large, the volunteers lovely and the dogs exactly as you expect: a mishmash of breeds, ages and circumstances. They all represent a person who has let them down in one way or another and I am embarrassed by how open and eager they are when one crouches in front of their kennel: they trot up, sniffing, ears up, ready to fall in love all over again. It is both humbling and horrible.
There is a huge black Newfoundland flopped in the shade like a discarded rug. There are two collies, bright eyed and bushy-tailed, with curtains over the front of their kennels to stop them barking (I find this out the hard way). There is a black terrier I’m going to call Springs, a tiny thing able to leap up almost to my eye level, straight up in the air like a jump jet. There are two of the dogs we picked out on the website. One I’m going to call Fig because she’s small and dark, about half the size she looked in her picture, friendly and big-eyed, but Not Our Dog (and reserved by someone else). The other is a very clearly a Very Large Dog in a very small body, and jolly cross about the whole thing. He needs an over-sized name like Jupiter, and he barks his Big Dog bark (I’ve no idea how he’s making that sound; it must take enormous amounts of energy) and jumps and hurls himself against the wire and eventually we give up trying to soothe him and move on.
Then there are two dogs we like immediately, in adjacent kennels. One is a puppy. One is clearly much older (we think at least ten; he turns out to be eight and to have lived with a smoker). We decide we don’t care and ask to meet both of them. Both are lovely, but (of course) we like the older one, about whom the shelter has no information whatever because he arrived twenty minutes before we did. The puppy is handsome, floppy of ear and large of paw, but he isn’t our Tiny Book Hound. The other one is. Tiny Book Hound is a Jack Russell, black-and-white like a cow, and with a black patch over either eye like an absent-minded pirate. He has absurd ginger eyebrows, terrible smokers’ teeth, a tail far too big for his body, and the obligatory stupid name. And we love him. We take him into the garden with one of the volunteers, and he jumps up at Giant Bear, and I see the exact moment when Giant Bear decides this is our dog. Tiny Book Hound romps around the garden like a much younger dog, front legs stiff like a piglet, barking incessantly in his whisky voice and pausing only to do numerous wees and then an almighty, leg-trembling poo. The dogs nextdoor to us at home (see Curtain-twitching) bark constantly, including in the middle of the night and whenever I have a deadline, and I loathe them for it. The barking of the other dogs at the shelter sets my teeth on edge; Springs has a yap that pierces my head like a knitting needle; Jupiter is deafening. How is it, then, that the thing I like most about Tiny Book Hound is his hoarse pensioner bark? It reminds us both of a radio play we heard on the way back from the boat (see Tales from the canal-bank), featuring an elderly gentleman with dementia who was able to think perfectly clearly, but struggled to say much more than ‘Perry Como!’ and ‘Belgium!’ We say ‘Perry Como!’ and ‘Belgium!’ to each other; the dog barks more urgently (‘Yes! Exactly! BELGIUM! BELGIUM!’). We go back to reception and are asked which dogs we have met. The puppy, and the old one with the terrible teeth, we say. Oh, the puppy! they say. What a popular boy he is today! Isn’t he adorable? Isn’t he handsome? Yes, we say. We’d like the old one with the terrible teeth, please.
Monday. Drove for an hour to get to the shelter in order to walk the Tiny Book Hound and fill out the paperwork to adopt him; twice on the way there, I catch myself humming the only Perry Como song I know all the words to. Tiny Book Hound can’t be walked because he’s too unsettled and needs to spend as much time as possible in his kennel, so I try not to be disappointed that I’ve given up my entire afternoon for two long drives in the rain and no walk, and talk soothingly to him through the bars. He barks his lovely bark (‘Belgium! BELGIUM!’), wags his whole rear end and shows me his appalling teeth. I think he remembers me and is pleased to see me again (possibly because he thinks this means he’s going in the garden, but who cares), but he is cranky, dashing back and forth in his kennel and barking at nothing. I try to take a photograph of him through the bars to show the rest of the family, but the results are so depressing (bars, confused hound) that I delete them all.
I am told that he is in disgrace after growling at the vet this morning. The shelter lady says she thinks an anal thermometer might have been involved. ‘Don’t blame him, myself,’ she says, pursing her lips in what I take to be an (unconscious) imitation of a dog’s bottom. I say, ‘I love this dog. Tell me what I have to do to take him home with me.’ I fill out a three-page form and answer questions about our experience of dog-ownership and try to look and sound responsible on behalf of both of us. They agree that he’s a good fit for us and are thrilled to have someone take an interest in him so quickly: ‘The old ones can be hard to shift’, I’m told, which just breaks my heart. While I’m filling out our form, a fourteen-year-old cat is brought in (a ‘lifer’ according to the reception lady), who is being handed in by a widower because his wife used to feed the cat and he can’t cope. While I’m struggling with the idea of how miserable a person has to be to feel unable to open a tin every two days, I notice that Tiny Book Hound is listed on the board in reception with an even sillier name than before. The reception lady agrees it’s a stupid name that doesn’t suit him, and agrees we can change it provided we keep the vowel sounds the same. ‘What about Chico?’ she says. This is not an improvement, and we agree later that our first act as his new owners will be to change his name to something that doesn’t make him sound like a Mexican popstar. It’s such a stupid name that the shelter people – people who deal with dogs called Buddy and Sparkle and Taco every day – are bamboozled by it, and this iteration on the board is the third variation we’ve seen. I learn more about him, including that his previous owner died of something smoking-related, and that he (Tiny Book Hound) doesn’t like dog treats. ‘We’re trying him out on a load of different ones, but so far he hates them all’, I’m told. Much like me with the other children at nursery. What a discerning hound.
The volunteer I’m with explains to me why I can’t take him out for a walk, and I’m crouching in front of his kennel, listening to what she’s saying about the vet and whether the dog needs a chest x-ray; and then, while she’s in the middle of a sentence, Tiny Book Hound stops barking, puts his ears back and gives me a look that just says mate, let’s get out of here. I totally fit in your handbag. Honestly, I almost stuffed him under my arm and ran.
 Lawrence Durrell, ‘The Unspeakable Attaché’, in Stiff Upper Lip (London: Faber and Faber, 1958), p.31.
 The shelter reminds me slightly of a row of pigsties (who knows: it might have been converted from pigsties into dogsties), and therefore of this thought from Robert Fulghum, who doesn’t care for dogs:
The best feeling I ever had about dogs came in a primitive Akah village in the mountains of northern Thailand. The Akah keep dogs like we keep pigs and chickens. They treat their cattle as useful working companions, give them names, and would never, ever think of eating one. But they eat dogs. They are not pets – dogs are simply food. There are other ways to look at dogs.
No kidding. Robert Fulghum, It was on fire when I lay down on it (New York, Villard Books, 1989), p.25.
 Glendora is a desperately creepy song about a man who falls in love with a shop-window mannequin, including the last verse in which he stands helplessly in an alley-way while Glendora is dismembered by the shop staff: ‘She lost her wig, she lost her arms / And when they got through she lost all of her charms / Oh, Glendora! What did they do to you?’ I’ve also heard a version in which he rescues her various parts from a bin, declaring ‘I’ve got my girl, I’ve got some glue / We’ll be together when I get through / Oh, Glendora! I’m gonna restore-a you!’ They don’t write ’em like that anymore.