My grandfather died a few weeks ago, aged eighty-eight. My three other grandparents have been gone a long time: my mother’s parents died nearly thirty years ago, within a few months of each other despite being nine years apart in age (I have written about their wedding as described in my grandmother’s diary: see In praise of the handwritten word); and my paternal grandmother died when I was doing my A-levels (I missed her funeral because of them). My grandfather has also, in many ways, been absent for some time, his mind having gone on ahead, if I can put it like that.
I find it very difficult to think about Grandted in isolation. Thinking about my grandfather also means thinking about my father, who is so like (and yet so unlike) him. For example, my father cares enormously about his physical fitness, whereas my grandfather was overweight for as long as I can remember. When I was a child, Grandted, with his few remaining teeth and enormous bulk, reminded me of Hugo das Nilpferd, the eponymous hippopotamus hero from a wunderbucher that we had read to us as children; we never learnt to read it for ourselves as neither of us had much of an ear for German, so all my memories of the book consist of the illustrations only, showing Hugo, huge and mauve, in various predicaments.
My father is entirely un-Hugo-like: (spoiler alert!) he is not mauve and, to my knowledge, has never got stuck in a bath or mistaken a piano for a crocodile. He is also physically compact, dense and muscular, rather like a bantam. In his capacity as Grandted’s eldest child, and supposedly the most comfortable with public speaking, my father gave the eulogy at Grandted’s funeral. He described this as a cathartic experience, and no doubt it was; the most striking thing about it for me, however, was how much of what Dad presented to us was new information. How little Grandted talked about himself and his work. Why did my brother and I always call him Grandted, for example? My father provided the answer here, writing as follows:
[Ian] didn’t much fancy G’father, G’pa or G’dad, I think because of his own faintly remembered past (but, I wonder, did he have opportunity to know either of his own grandfathers?). He liked one or both of you (it was probably you, Jess) referring to him as a big Teddy Bear hence the suggested contraction to GrandTed. Naturally [Mother] and I (but mostly me) were tickled at him being ‘taken for GrandTed’, so we perpetuated what was probably, initially, only going to be a passing label.
Why did he use his middle name (Ian) when his first name is Hubert? Both Ian and Ian’s parents were quite clear that he was to be known as Ian, so why bother with Hubert at all? Does my father get his habit of referring to everyone by initials from Ian, or is that all his own? Dad maintains this is an academic habit, and yet none of the academics I work with now seem to have it. Why was Ian so insistent about lunch coinciding with the one o’clock pips? Even his memorial lunch made note of this:
The date [May 13th] would have amused Ian as he was super-rational rather than superstitious; the time  less so, as at home he insisted firmly that lunch start with the one o’clock time signal.
Ian was a lecturer at the University of Newcastle (or King’s College Durham, as I think it probably was when he first joined) in computing science and maths. My father is a mathematician, and yet it is only in the last few weeks that Dad has actually found and read Ian’s seminal paper; nobody in the family has a copy of his thesis and Dad is the only one who remembers ever discussing it with him.
I’ve discovered recently at choir that one of my fellow tenors and I have no overlap whatsoever in our musical tastes: each announcement of a new piece draws a groan from one and a small cheer from the other, but never the same reaction from both. By contrast, my father and I seem to agree almost universally on our favourite hymns. Dad had several things to say about his father in the eulogy (particularly his formidable reputation as a teacher) that could equally have been said about my father, that I fully expect to repeat in my own eulogy for my own father in about thirty years, and that I hope could and will be said about me when the time comes. No doubt we will repeat at least one of the hymns too, as I note they included two of our favourites: ‘Dear Lord and Father of Mankind’, with its supremely comforting, swirling tune; and ‘Praise My Soul the King of Heaven’. The line I have used as the title for this post is from the third verse of the latter hymn, which is often sung by female voices only. That verse always reminds me (although these memories are very old and necessarily dim) of Dad handling a pipistrelle he had found in the kitchen: ‘In His hands He gently bears us / Rescues us from all our foes’, which in this case would be the cats.
Another mutual favourite with a fatherly flavour is ‘Eternal Father Strong to Save’. Researching it online, I discovered that the words were written long before the tune, in response to both a near-miss on the high seas for William Whiting (who wrote the words) and a conversation some years later with a student of his about to embark for America and understandably nervous of the ocean voyage. What a beautiful, mournful tune this hymn has! As with so many hymn tunes, even those associated primarily with one set of words only, the tune has its own name (Melita). Dad and I have played and sung this hymn together many times. My strongest memory of singing this hymn is from a lifeboat service; these are usually held in the summer in Cornwall, and every one I’ve been to has included this hymn. On the most memorable occasion, I was with my mother, and we stood on the cliffs at Boscastle to sing a variety of hymns, including ‘The Old Rugged Cross’, much to Mum’s disgust. She didn’t often express hatred of specific things out loud, but if she had been forced to make a list that summer, I think it would have included caraway seeds, the colour blue, spending time with me and my father, and ‘The Old Rugged Cross’. We followed this with ‘Guide Me O Thou Great Jehovah’, which we sang with such vigour that a harbour seal who had popped up to see what we were doing decided the sea wasn’t so bad after all and swam off in a tremendous hurry.
‘Eternal Father Strong to Save’ was the final hymn at the lifeboat service, after the names of and prayers for those who had died at sea that year had been read. There was a sizeable crowd on the cliffs, many openly weeping as we sang (‘Oh, hear us when we cry to Thee / For those in peril on the sea’). My father, who never cries, describes it as ‘easy to cry to’, and he’s right: hymns (particular old, familiar ones) have a way of expressing emotions we otherwise might not be able to describe. ‘Praise My Soul’ contains a line that captured Grandted’s funeral well for me, watching Dad wrestle manfully with grief, relief and the eulogy all at once: ‘Praise Him for His grace and favour / To our fathers in distress’.
hate tights. Or perhaps it would be more accurate to say that, although I am unaware of having wronged tights in any way, tights hate me.
I go without tights for as much of the year as I can bear, but in the colder months there is no option but to start wearing the buggers again, and thus my hatred for tights (or ‘fucklegs’, as I think of them) crests in a series of little waves throughout the winter, each thicker, blacker and more sepulchral than the last. The Filthy Comma does not often post product reviews (although see my thoughts on the Russell Hobbs 18617 Easy Plug and Wind Iron (With Extra-Long Flex) as described in Iron Get Hot Now). Here we have a case in which brands are largely ignored; rather, the garment itself is called into question. Just as 1066 And All Thatnotes of King John that he had no redeeming features, is there anything at all to be said in favour of tights? Is there such a thing as a pair of tights that actually do the job they were made to do, or are they all bastards? And if they are, how is one to clothe one’s legs in winter? These are the questions we shall seek to answer.
It seems to me that the reasons to hate tights are manifold, various and entirely obvious, but for the benefit of any readers not familiar with the Anti-Christ and His works, my reasons are as follows.
i. Tights do not stay on my body.
This is the minimum requirement for an item of clothing, and tights do not meet it. It is simply not possible to pull a pair of tights up (an operation that is necessary a few thousand times per tight-wearing day) in a modest and dignified fashion. Moreover, having wrestled the stretchy bastards back into place, they waste no time in wriggling back down again; or getting themselves twisted; or revolving quietly as though one leg has decided it would quite like to have a look round the back; or making one swelter and itch in areas that should really be kept as air-conditioned as possible; or squeaking as they brush against each other; or building up a static field between themselves and the lining of one’s skirt so that it clings and/or creeps up one’s legs just as the tights are creeping down; or a hundred other things that one would never tolerate from any other item of clothing. One might as well try to steer one’s legs into a pair of angry pike.
ii. Tights lie.
They do this in two ways. Firstly, they pretend to be sexy (viz. a pair of tights I saw for sale in China that promised to clothe me from ‘crotch to sandalsome toe’), but in fact it is not possible to put on or take off a pair of tights with any modicum of decorum, nevermind sex appeal. In my considered view, for a garment to be sexy, one needs to be able to either a. saucily leave it on during The Act; or b. take it off ahead of time in a way that at the very least doesn’t make one look like an idiot. Tights fail spectacularly on both counts. Worse than this, cheap tights never quite get clean, building up layers of sour dust around the toe area, over-stretching round the heel, and generally deteriorating with alarming speed into limp, over-extended squalour in a way that does one’s legs no favours.
Secondly, they pretend to be useful. For the first few minutes that they are on, and during activities that involve sitting or standing perfectly still (i.e. things that barely qualify as ‘activities’), tights are fine. Yes, they seem to say. We will totally stay where you put us just now, for the entire day. Feel free to walk about! We understand that it is our purpose to stay on your legs, regardless of whether you are using your legs or not! And yet, for anything that involves my legs actually moving around (i.e. being legs), tights are 100% useless. A woman that might need or want to walk for more than a couple of minutes at a time (and I walk for an hour every day) is something of which the manufacturers of tights cannot conceive. After teaching, I once walked from university to where my car was parked in Leigh Woods (about three miles) and had to stop thirty-seven times to pull my tights up. In the end I went into the public toilets on Clifton Suspension Bridge, took the bloody things off and stuffed them into a bin. Then I kicked the bin until I felt better.
iii. Tights are uncomfortable.
The waist elastic is never strong enough to hold the blasted things up, and yet at the same time more than strong enough to squash one’s belly in ways that are deeply troubling. Tights are designed by people who think a narrow waistband predisposed to spontaneously fold or roll over itself into a spandex sausage when one sits down, stands up or otherwise moves about in a perfectly reasonable fashion is the last word in comfort. Such people should be flayed (with tights, while wearing tights).
iv. Tights are unflattering.
Just look at all the new and interesting ways in which your insides can bulge painfully through your clothes! Hopefully, the look you were going for was Stealthily- and Unevenly-Inflating Plastic Woman, because that’s the look you’ve ended up with. And it’s all thanks to Tights, The Bastard Accessory.
v. Tights are instruments of torture for people with bowel disease.
Stretchy stupid tubes that squeeze your bowel, offer no protection against incontinence and can’t be removed in public? What a fabulous idea.
vi. The better the colour, the worse the tights.
I own several pairs of brightly-coloured tights, including four pairs with knitted spots. The most impractical pair are a prune colour, with spots the size of egg yolks in green, yellow and orange. Naturally, these are the tights most willing to stay on my body, because they know full well that they don’t go with anything else in my wardrobe (and certainly nothing that makes me look and feel like a grown-up professional woman). Fuchsia tights? Stay up all day and cause only mild embarrassment and indigestion. Plain black ones? No chance.
vii. Tights spontaneously self-destruct.
Were you stupid enough to put them on with your fingers, you utter fule? Did you get within two feet of a wall, chair or doorframe during your exciting day of sitting-and-standing-perfectly-still? Did you spend the day having cats hurled at you unexpectedly, battling death-owls or furtively handling sharply-edged stones? Were you, per Gertrude Stein, climbing in tights? It doesn’t matter whether you did any or none of these things, because you could spend a tight-wearing day in a sensory deprivation tank and still find the buggers had managed to snag themselves on the passage of time itself. You would also have wasted your time and money on a sensory deprivation tank, since tights are so bloody uncomfortable.
viii. Tights cause other people to recapitulate information that you are already in possession of (e.g. ‘You have a hole in your fucklegs’).
Such people, apparently unaware that grown-up women dress themselves, fail to realise that a woman wearing holey tights is doing so for one of two reasons. One, the tights were perfectly fine when she put them on, and have since self-destructed. Two, all tights the same colour look identical in the damn drawer. You put your hand in, you take out a pair of tights. Entire mornings can be lost searching for a pair with either no holes (or at least a pair with a hole that will be concealed by today’s chosen outfit), so you pull a pair out of the drawer and put them on and hope for the best. Why not just throw out the pairs with holes in, you say? Because tights, as well as being flimsy, uncomfortable, unflattering and traitorously unable to stay the fuck up, are also expensive.
ix. The alternatives to tights are crappy.
Leggings provide a solution from crotch to sandalsome shin only; bare legs are no good in the winter; and suspenders are a bad, male joke played on women to make us feel like stupid cold slags.
What is the solution to this Gormenghastly problem? Gentle reader, I have it. Finally, after years in the stretchy, fall-downy, why-the-fuck-did-I-wear-these wilderness, I have it. The solution is twofold. One: covering everything else up, choose a good book and a large hat and tan thy legs so that going bare-legged will be viable (nay, pleasant) for as long as possible. Two: in the few scant months now left in which tight-wearing is necessary, purchase these tights, and these tights only. I bought them in a fit of desperation, and <angel voices> they actually function as garments. They fit. They don’t fall down. They can be worn two days in a row without going baggy. They haven’t gone into holes or ladders. They are sensible colours (one navy, one plum, one chocolate). They are comfortable, warm and soft. They don’t crackle, snag, itch or create static, and they weren’t expensive. In other words, they warm my flinty heart. They meet the bare minimum of what tights ought to do, and I am satisfied.
Regular readers will recall that your gentle narrator suffers (the word is chosen with care) from bowel disease (see Busting a gut, Bite me, Home Economics, GAH! Michael Gove! and The loud symbols). I have been laxative about contributing to the blog over the last seven months, after being buried under an avalanche of work from which one arm now feebly waves, soon (I hope) to be followed by the rest of me. These two things may not seem related to each other, but my colitis is caused by work-related stress, which is also called work addiction (see I was flying from the threat of an office life and Exemplum Docet). Thus, I live in a little feedback loop, working at whatever pace I feel I can stand and then accepting whatever reward or punishment my insides see fit to respond with. I am eternally grateful to have the skills to work from home most of the time; a husband who finds my swollen stomach and disreputable underwear (of which more later) quirky and charming; and a toilet right next to my study. Giant Bear has even furnished the upstairs toilet with a comfortable wooden seat, a tasteful selection of bra catalogues and a thing called a Primal Stool that cost £20 but is worth its weight in gold (this is a similar thing: do scroll down to see the unicorn-poo advert). John Keay comments on the internal disorder of George Everest (yes, the mountain is named after him. Also, his name is pronounced ‘Eve-rest’, disturbingly), and notes that his ‘[r]ebellious bowels leant an urgency to the working day’. Yes. Yes, I expect they did.
Bowel disease is misunderstood, difficult to talk about, jolly painful and surprisingly common; and work addiction is just everywhere and awful. While I wait for mountain rescue, therefore, here are some jolly facts about bowel disease and work-related stress.
Bowel disease is the great leveller.
People with small children seem to talk about poo all the time: how often their babies poo; how copious, stinky, firm/loose and frequently produced their babies’ poo is; and how their babies sometimes manage to defecate so heartily that they get poo right the way up their backs in a single movement. I don’t have babies, but having colitis allows me to join in nonetheless.
‘Yup,’ I say, finishing my tea. ‘I’ve done that.’
‘When you were a baby?’ My childbearing friend is momentarily distracted by the menu, or possibly the child. ‘Or do you mean last time you went to China?’
Working too much makes you a shitty worker.
My understanding of the strike that junior doctors undertook recently (the first such strike in my lifetime) is that they were protesting against two things in particular, captured (as is so often the case these days) in a hashtag: #notfairnotsafe. This captures two ideas, as follows: one, working longer hours as proposed (for a higher wage, but a lower overall hourly rate) implies that the ridiculous hours and shifts that they already work are not sufficient. Two, working longer hours will exhaust them and make them bad doctors. I don’t understand why there is any discussion to be had about this. We all agree that tired motorists are dangerous. Are exhausted doctors dangerous? YES. OF COURSE THEY ARE: TO THEMSELVES AND OTHERS. I have lost count of the number of mistakes I have made, documents I have deleted and spreadsheets I have cocked up because I was simply too tired to be competent. With the obvious exception of smug health-cunt Jeremy Hunt (Jim Naughtie has established precedent, so this is fine), nobody is stupid enough to think a tired doctor is a competent doctor, but nobody, in any line of work, should be working so many hours that they are too tired to do their job properly. I used to work four days per week; then, to cover for a colleague, I did two months of five days per week. I would have done better to stay at four days per week, because I was so tired that a. I caught a bug and had to miss two days’ work; and b. forgot to save my database and lost another two days’ work. Net gain: nothing.
3. Number of times I have soiled myself since being diagnosed: four.
Once *just* after a Departmental meeting; once while sitting quietly in a chair, reading a book and minding my own business; once in China after some questionable fish; and this afternoon. When I went to Dublin for a week a few years ago, I packed twenty-one pairs of knickers by the simple method of counting seven pairs of knickers into the suitcase (‘Monday-Tuesday-Wednesday-Thursday-Friday-Saturday-Sunday’) three times without realising I had done so. Do normal people even *own* twenty-one pairs of knickers? They do not.
Being addicted to work means not being allowed to go cold turkey.
Some addictive substances (drugs, alcohol) are things that we have no physical need of, by which I mean that removing these things from our lives, while extremely difficult, is not damaging, but rather may have considerable health benefits. We may feel the need (physical, physiological, psychological, emotional) for another cigarette (I have written about this elsewhere; see A three-pipe problem), drink, high, win or whatever, but we can live perfectly well without these things, just as we can live without smoking, drinking, drugs, gambling, sex or pornography. The most difficult addictions to deal with, I suggest, are those where cutting the destructive substance or behaviour out of one’s life altogether is not possible. If one is addicted to food or work, for example, one has to find some way of changing that relationship to make it healthy and sustainable: one cannot simply stop eating or working. I don’t think there are many therapists who, confronted with (say) a smoker would suggest that he or she learn to manage his or her relationship with tobacco: the end goal would always and unquestioningly be to give up, totally and forever.
Number of times I have thought, ‘that’s it. I’m going to die on the toilet. Like Elvis, except he had a cheeseburger to keep him company’: three.
Halfway through reading this post, my husband showed me a picture of the thing below (it’s a cheeseburger-shaped anti-stress ball) and said, ‘shall we get one, and keep it in the upstairs toilet?’
Bowel disease makes you feel really, really old
Were I so inclined, I could produce a series of Venn diagrams showing the commonality between my life and that of a woman forty years older than me; let’s call her Daphne. Yesterday’s diagram would show that Jess walked (rapidly, happily) to the train station to catch the same train as Daphne, while Daphne’s great age forced her to make the journey on the bus; Jess has brought a copy of Silent Spring and some knitting to keep her occupied during the journey, while Daphne prefers the Telegraph and crochet; Jess has decided not to bring any food, while Daphne has a packet of mints and so on. Apart from the train itself, the only area of overlap is that both Jess and Daphne will spend a significant part of their day worrying that they are going to disgrace themselves because *there is no toilet at the station*. That’s very annoying, think both Jess and Daphne upon arrival, with enough time to buy their tickets, but not such a long wait that they get cold and cross. The train will be here in a minute, and once we get going I can use the facilities on the train. Imagine the disgust of both our protagonists (Jess says a curse word; Daphne does not, but her lips get very thin) when it turns out that *there is no toilet on the train either*.
My usual train trip is around 50 minutes, and fortunately there *are* facilities at the other end. But, really: good grief. There is a person at the station (sometimes two!) to sell tickets to the Great Unwashed *and* a model railway shop. There must, therefore, be at least one toilet. Giant Bear tells me that there *is* a toilet, but that in order to use it, Daphne and I would have to queue up and then yell through the ticket window that we’d like to borrow the key, please. There is also nowhere for the staff on the train to relieve themselves; at least the ticket inspector can walk from carriage to carriage to distract himself (and maybe do a little poo in the corridor where nobody will notice), but no such luck for the driver. John Pudney said the following about toilets at train stations seventy years ago, much of which still holds today:
For the ordinary run of early railroad passengers, there were no arrangements whatever; and patience was the only necessity. At early morning stops, men were wont to salute the sunrise, as decorously as they might, at the ends of platforms, while women stood in earnest conversation here and there, their long skirts providing cover even though the platform itself offered little by way of camouflage.
Being addicted to work is socially acceptable.
While I think it could be argued that we have a society with a dysfunctional attitude to many addictive substances and behaviours (food, alcohol and sex spring to mind), the attitude to work goes beyond that into stark raving mad. We all talk about our ‘busy’ lives: it is entirely normal for women in particular to babble on about ‘juggling’ all the things we have to do, on top of earning a living, which somehow takes up far more time and energy than it should. I am no longer surprised to receive (and send) emails at 6am or 11pm; nobody expresses surprise when it becomes clear that I work weekends; and while I was at the university, I once went into the office on Boxing Day and *I wasn’t the only person in the Department*.
Bowel disease has ruined the following words forever: movement, regular, irrigation, stool. On the plus side, Andrew Motion is now a funny name.
Bowel disease makes you feel that nobody will ever want to have sex with you again.
There is swelling (sometimes soft; sometimes tight and hard like a tyre). There is diarrhoea (bright yellow, mostly liquid and excitingly explosive). There is dehydration (headaches, itchy eyes), horrible stomach cramps, massive hair loss, brittle nails, tiredness that mere sleep cannot touch, and endless medical humiliations (pooing into little trays; enemas; strangers inserting Things into one’s special area in the name of Science). There are ruined clothes, from which the physical stains can be removed, but which I can never bring myself to wear again. Finally, there is the terror that every tremor and gurgle in the abdominal region may be about to burst forth into the Bog of Eternal Stench, punctuating yet another day with what can only be described as arse-sneezes: hot, gritty crap that pebble-dashes the inside of the toilet in a splatter pattern strikingly reminiscent of the vomit one sees on the pavements outside student residences, except that this is yellow, streaked with blood and mucus, smells like the devil’s farmyard and CAME OUT OF MY ARSE.
These are the times when the unconditional love (and relaxed attitude to nudity) of an understanding and patient partner is better than all the peppermint oil and herbal tea in the world. Here is a little story I call ‘Disappointment’: the other day, Giant Bear came home from work, and without explanation, silently removed his shoes, tie, waistcoat, braces, shirt, trousers, socks and, with a certain sense of inevitability, his pants. Why, good evening, darling, I thought, ceasing to stir the dinner for a moment, and trying to remember if my own underwear was a. the kind that can be flung aside in a sexy fashion; b. not that kind, but at least stain-free and vaguely respectable; or c. in such a state that I’d have to bundle it up in my jeans and then attempt to kick both carefully into a dark corner. Just as I was about to spoil the moment by talking, my husband had a jolly good look at his pants, turned them round and put them back on again. ‘Had them on back to front all day’, he observed, and went upstairs to get dressed.
 John Keay, The Great Arc (London: HarperCollins, 2000), p.146.
 To alleviate what George Sherston calls a ‘railway-tasting mouth’. Siegfried Sassoon, Memoirs of a Fox-Hunting Man (London: Faber and Faber, 1928), p.299.
 John Pudney, The Smallest Room (London: Michael Joseph, 1954), p.75.
 Just as I am no longer able to eat English mustard because gaaaaaah.
In her excellent book Ex Libris Anne Fadiman writes about what she calls her ‘Odd Shelf’, which she defines as follows:
On this shelf rests a small, mysterious corpus of volumes whose subject matter is completely unrelated to the rest of the library, yet which, upon closer inspection, reveals a good deal about its owner. George Orwell’s Odd Shelf held a collection of … ladies’ magazines from the 1860s, which he liked to read in his bathtub.
Fadiman’s own Odd Shelf is about polar exploration, a subject close to my own heart (for absolutely no reason whatever: I have no desire to visit such places and hate being cold), and I remain confident that we both own copies of F.A. Worsley’s book Shackleton’s Boat Journey and Scott’s Last Expedition (Captain Scott’s journals, recovered from beside his frozen body; see The fish that is black for Scott’s description of watching killer whales attempting to tip his dogs into the water). My own Odd Shelf is somewhat broader, and contains works on exploration of all kinds (see Why Don’t You Do Right?). These are books about men (and a few hardy women) who ‘went out to explore new lands or with toil and self-sacrifice fitted themselves to be champions … the conquerors of the great peaks.'
My explorer books begin with Exquemelin, Bernal Diaz and Zarate chronicling the conquest of South America, continuing with nineteenth- and twentieth-century works by Mary Kingsley and Laurens Van Der Post, mid-century books by T.E. Lawrence (see No means no for Lawrence’s unhelpful responses to his long-suffering proofreader), Peter Fleming, Elspeth Huxley and Thor Heyerdahl, and finally modern writers such as Peter Hessler and Mariusz Wilk. I also have a book by Ian Hibell, a relative on Giant Bear’s side, called Into the Remote Places. This is an account of Ian’s journeys, cycling across various continents. Like Shackleton and Scott, Ian died in pursuit of exploration after being knocked off his bicycle while cycling across Greece; and, like Shackleton and Scott, Ian struggled to explain his need to explore:
I couldn’t explain to them the lure of travelling. You went to a place to get something, they reasoned.
His Sudanese hosts are, I think, meaning a physical ‘something’; Ian might have agreed with them had they meant something less tangible. There is no real consensus on why or how exploration is necessary, or exactly what one is in search of. R.B. Robertson reports a group of whalers discussing their hero Shackleton (Mansell was present when Shackleton’s party arrived in Stromness, having been given up for dead), and again there is no consensus:
… we talked of Antarctic explorers, and the motives that take men down to that terrifying white desert, not once, but time and time again, to dedicate a large part of their lives to its ghastly waters, often to die there.
‘The motives of some of them are only too obvious,’ Gyle said. ‘Personal glory, kudos or ever material gain … others are real scientists who reckon that the knowledge they gain of the last unknown part of the earth is worth the agony of getting it … [and] there’s always a handful of man like Shackleton who keep coming down here as it were for the fun of it … they find … real comradeship. That’s a human relationship second only to sexual love, and a thousand times rarer.'
Gyle may be right here in some instances, but many of the explorers in my collection travel alone, and are profoundly isolated even when surrounded by people. Robertson’s whalers suggest other theories: the unnamed Norwegian bosun argues that Antarctic explorers go south to get away from ‘up there’, and Davison suggests that, ‘Antarctica’s the only part of the world left where it’s still possible to look over a hill without knowing for certain what you’re going to find on the other side.’ Mansell, in some ways the hero of Robertson’s book Of Whales and Men, dismisses all these ideas. His explanation is, for me, the most convincing, and again refers to an intangible ‘something’:
‘Shackletons, and [the] best kind of explorer … come here because they know there is something else, that man can feel but not quite understand in this world. And they get closer to that thing – that fourth man who march[ed] with Shackleton across South Georgia – when they are down there than anywhere else in world. This island [South Georgia], Zuther Notion [this is how Robertson renders Mansell’s pronunciation of ‘Southern Ocean’], Antarctic continent – all haunted places … [Shackleton and men like him] keep coming back to discover – haunted by what?’
There are some issues with defining one’s Odd Shelf. Firstly, I differ from Fadiman in that I think I probably own too many volumes on the subject of exploration to describe it as a ‘shelf’; secondly, I read explorer books because I find them interesting as studies of human nature, rather than because they describe activities I wish to participate in. Fadiman’s essays ‘The Odd Shelf’ and ‘The Literary Glutton’ describe various trips she has made to the Arctic and Antarctic, whereas I have no wish to actually go to fifteenth-century Peru or similar. Finally, I think there is a difference between amassing literature on or in a particular area, and collecting porn: after Orwell, her second example of an Odd Shelf is that belonging to Philip Larkin, who nobody will be surprised to learn had ‘an especially capacious Odd Shelf crammed with pornography, with an emphasis on spanking.'
I do, however, single out a few books for special status. These are books that I have worked on, contributed to, or am mentioned in. It is, at the time of writing, a fairly small collection, as follows: Pilgrimage (written by my godfather, and dedicated to his godchildren); Edith the Fair: The Visionary of Walsingham by the late Dr. Bill Flint (I copy-edited the book, provided the index and contributed much of the transliteration of the Pynson Ballad in chapter 3); two histories of Hertfordshire and an academic book about the philosophy of evolution, all of which I compiled indexes for; and Salmon by Prof. Peter Coates. My cameo here is in the acknowledgements, on a list of people ‘keen to talk salmon with me’. In my case, this consisted of providing Peter with photocopies of the relevant pages of Mr Philips, a marvellous book by John Lanchester in which Mr. Philips spends a diverting afternoon watching salmon-based pornography (it wouldn’t have been to Larkin’s taste, I fancy) and a photograph of a salmon-skin suit I took at an exhibition of ancient textiles from the autonomous regions of China while in Shanghai (he failed to use this, the fule).
The latest addition to this shelf is Romeo and Juliet in Palestine: Teaching Under Occupation, which I proofread for my friend and colleague, Tom Sperlinger. I have written elsewhere about how we might assess the quality of a book (see The search for perfection) and indeed why one might write or read a book at all. Speaking purely for myself, I write for an audience of one. On the back of Stella Gibbons’s Ticky (a very silly book that I thoroughly enjoyed on the train the other week, muffling my giggles between the pages in the hope of suggesting to the other passengers that I was suffering from a surfeit of sneezing rather than gin), she says, ‘I wrote it to please myself’. Tom is more speculative; he says simply, ‘I try to tell the story of the semester I spent at Al-Quds’. His book also engages with another topic I have explored in other posts: that of why we read (see House of Holes, among other posts). In chapter 5, which is built around Daniel Pennac’s ‘Bill of Rights’ for readers (the first item is ‘the right not to read’), Tom speaks of his struggle to get his students to read more:
Haytham was not the only student who often did not do the reading. Some of the students were taking six or seven classes at the same time and claimed they had too much preparatory work to do. Others saw the reading as peripheral; they wanted to come to class, write down the answers, and prepare themselves for the exam.
The teaching Tom describes here is very different from my own foreign teaching experiences. I don’t teach literature to my Chinese students, but if I did, and if, as part of that teaching, I told them all to read a book or a short story, my sense is that the vast majority would read it (and several would read it more than once); specifically, I wonder what my (overwhelmingly eager and respectful) Chinese students would make of this chapter, and of the students’ reluctance to do what their teacher has asked. In his Q&A after reading from Romeo and Juliet in Palestine at Waterstones a few weeks ago, Tom described the intimacy of the classroom, and how there are things that can be said in that context that wouldn’t (couldn’t?) be said in any other setting. This chimes more closely with my own experiences in China, particularly with reference to sex education (see Open the Box, Some bad words, Please use power wisely and Shake it all about). This sense that the students aren’t holding up their end of the bargain, however, is something that I have only had in a few isolated cases (see No means no): Tom is describing a widespread mutiny, in which so many of the students aren’t doing the reading that discussion of their reasoning is a legitimate topic for discussion in class. A few pages on, Tom quotes Malcolm X’s Autobiography, in which he describes learning to read by the glow of a light just outside the door of his prison cell (the second time I read the book, having read it the first time as a proofreader, this moment reminded me of Chris Packham on this year’s Springwatch describing how he had read by the light of a glow-worm), and the hunger Malcolm X had for reading. Contrast that with my train journey home from Bristol after Tom’s reading: I was the only person in the carriage with a book. I would have been perfectly happy to chat (as often happens when I knit on trains), but the other passengers were all either looking at their ’phones or simply staring into space. There was no conversation, and apart from my own muffled laughter, the carriage was devoid of the sound of meaningful human interaction (the various mechanical beeps of the various mechanical devices don’t count). My chosen book was the aforementioned Ticky, which, in the quiet, conversationless train (and on the way home from an evening spent discussing a book), suggested a superbly ironic reason for which one might choose to read: to avoid conversation.
‘… hand me Bore Upon the Jutes – no, no, that is a Circassian grammar. Bore Upon the Jutes is what I require – no – now you have given me Notes on Early Saxon Religious Musical Pipes [see An unparalleled display of shawms] – I asked for BORE – BORE UPON THE JUTES.’
‘I think you are lying upon it, Papa, there is a book just under your pillow?’
‘Oh – ah? is there? – yes, exactly so: I thank you. Well, no doubt you have your morning duties to perform. You may look in upon me again immediately before luncheon.’ … Doctor Pressure held Bore upside down and pretended to read.
Naturally, my frequent train journeys are occasions on which reading is a wonderful way to fill time that would be otherwise wasted, but of course I don’t simply read to fill time or to avoid conversation with one’s fellow passengers (it seems so much simpler to just ask them to be quiet). I read because, among other things (and to misappropriate Nagel for a second time: see The fish that is black), I simply can’t imagine what it is like not to read (or not to want to read).
Nabokov used to encourage his students at Berkeley to read and re-read, as part of a search for detail. In a discussion of why we read, Nabokov might have answered that one reason for doing so is to cultivate the ability to find ‘bigness’ in that which is small. In the Q&A after Tom’s reading, I commented that, were I allowed to teach literature to my Chinese students, there would undoubtedly be a long list of forbidden books handed down from On High, and asked Tom if he would have felt comfortable giving the students The Merchant of Venice rather than Julius Caesar or Romeo and Juliet (I was also thinking of one of Tom’s students, who comments that ‘she stopped reading a book if she did not like the way it made her think’). He replied that yes, that would have been fine, and other colleagues at Al-Quds were teaching The Merchant of Venice. On each of my trips to China, I have considered it my moral duty to take something dangerous to read, in the hope of being (at the very least) accosted at breakfast with the question ‘why are you reading that?’ So far, Alan Hollinghurst’s tale of drug-taking and gay sex in sheds The Spell, Sun Tzu’s The Art of War, The Well of Loneliness, andThe Joy Luck Club have all failed to get a rise out of anybody. I suspect this is because one has to have actually read these books to know that they are ‘dangerous’, but this is still very disappointing.
One of Tom’s courses at the university is called ‘Dangerous Books’, and the course description includes this sentence: ‘Why might a work of literature be considered dangerous?’ One answer is, of course, the circumstances in which one reads it (see The search for perfection). This year, my chosen Dangerous Book to flourish at breakfast isalso an explorer book: Seven Years in Tibet. While Nabokov might argue that the devil is in the detail, in this case I think Margaret Atwood has it right in The Handmaid’s Tale: ‘context is all’.
 Her book The Spirit Catches You and Fall Down should be required reading (the right not to read notwithstanding) for anyone considering medicine as a profession.
 Anne Fadiman, ‘My Odd Shelf’, in Ex Libris: Confessions of a Common Reader (New York: Farrar, Straus and Giroux, 1998), p. 21.
 Heinrich Harrer, Seven Years in Tibet (London: The Reprint Society, 1953), translated from the German by Richard Graves and with an introduction by fellow explorer Peter Fleming, p. 11.
 Ian Hibell and Clinton Trowbridge, Into the Remote Places (London: Robson Books, 1984), p. 96.
 R.B. Robertson, Of Whales and Men (London: Macmillan, 1956), p. 60.
 The ‘fourth man’ refers to the conviction, held by Shackleton and both of his companions Worsley and Crean, that as the three of them trekked across South Georgia, ‘we were four, not three’ (Shackleton’s words, as quoted by Robertson, p. 62). As Robertson tells us (p. 55) as part of a discussion about how little poetry (plenty of prose) has been written about Antarctica, the one outlier is a cameo by the fourth man in ‘The Wasteland’.
 Robertson, Of Whales and Men, p. 61.
 Fadiman, ‘My Odd Shelf’, Ex Libris, p. 21. While re-reading ‘My Odd Shelf’, I discovered a postcard pushed between the pages at the start of the essay ‘True Womanhood’ (pp. 45-53). Fadiman describes reading The Mirror of True Womanhood: A Book of Instruction for Women in the World (as opposed to the follow-up volume, A Book of Instruction for Women Floating Aimlessly In Outer Space) by the Rev. Bernard O’Reilly, and intended to convey the take-home message that ‘Woman’s entire existence, in order to be a sources of happiness to others as well as to herself, must be one self-sacrifice’ (Fadiman, p. 47). Fadiman’s response is to compile a list of the virtues O’Reilly values most, and ask her husband to give her marks out of ten in each category (p. 51). The postcard, which shows van Gogh’s Le nuit étoilée, Arles on the picture side, has Fadiman’s list and my marks from Garden Naturalist written on it, from just after our eleventh wedding anniversary. Naturally, the only sensible course of action was to yell at Giant Bear to run upstairs immediately and provide his own scores, which proved to be three marks lower overall. My main failing is apparently in the category ‘Avoidance of impure literature, engravings, paintings and statuary’, in which both husbands have given me a resounding zero.
 Dr. Flint died unexpectedly while the book was still in production and although we never met, I remember him very fondly for our first telephone call, in which I explained that, while I was delighted to take his book on, I was also about to be taking two weeks off in order to get married and have a honeymoon. There was a brief pause and a sloshing noise, followed by Bill announcing to me that, having known me for less than thirty seconds, he was ‘breaking out the gin’ in celebration of my upcoming nuptials. Thus did we warm to each other enormously.
 I had expected the university photocopier to spontaneously combust, but of course it only does that when one has an important meeting to go to and/or is wearing a long-sleeved top in a pale colour. Salmon was Peter’s contribution to a series of books, each on a different animal, to which the excellent Helen MacDonald (of H is for Hawk fame) contributed Falcon.
 There’s no need to take my word for it that Tom’s book is marvellous; Tom ‘It’s So Anodyne’ Paulin and John Berger loved it, too.
 Tom Sperlinger, Romeo and Juliet in Palestine: Teaching Under Occupation (Winchester: Zero Books, 2015), p. 45.
 Stella Gibbons, Ticky (Guernsey: Alan Sutton, 1943), pp. 162-163. I have concluded that Bore Upon the Jutes, which Dr. Pressure is so keen to read, must have sprung from the imagination of Gibbons, as the first hit when put into Google is the quotation I have just given.
Giant Bear and I have a jolly sensible arrangement when it comes to housework, dividing the tasks between us based on a combination of practical considerations and personal preferences. Our thoughtful division of labour was recently endorsed by Woman’s Hour, no less: they had an online calculator thingy, which weighted the various tasks based on whether you enjoyed doing them, how often they needed doing, how gross they were, how many hours of paid work and childcare each partner did (both of these bought one out of a certain amount of housework, as it were) and so forth. This gave each partner a score, the important thing being not the raw number, but how it differed from the score of one’s partner. According to the programming that accompanied the online calculator thingy, the majority of housework is still distributed along gender lines i.e. lots of men simply don’t do any (or if they do, they describe it as ‘helping’).
One thing that isn’t taken into account in either our own discussions of housework or public discourse, however, is the additional burden of Inanimate Object Rage carried by the partner who does the majority of the housework. Hell hath no fury like Inanimate Object Rage. If a pet, partner or friend continually frustrates, ignores or forgets you, there is suitable socially-acceptable recourse: reasoned discussion, shouting if required, and possibly mild violence involving a rolled-up newspaper. Inanimate Object Rage, however, has no such acceptable means of expression. Smack, kick or threaten the cause of your rage, and it merely sits there, unmoved and more unwilling to do the job it was purchased for than ever. Consider trying to hoick a mattress upstairs; cardboard boxes that obligingly fold flat and tidy until you attempt to do something outlandish like pile them against a wall or put them in the car; shelves that stay up until you put something on them; drawers that don’t draw; can-openers that don’t open cans, but give you a sore hand and no lunch. These are all infuriating in their various ways, but are as nothing to the Inanimate Object Rage induced by having to use a tool that simply isn’t up to the job on a weekly (nay, daily) basis. Gather closer to the firelight, children. I am speaking of the Russell Hobbs 18617 Easy Plug and Wind Iron (With Extra-Long Flex).
Ironing is one of my jobs. Artificial fibres make me sweat terribly and Giant Bear has to wear a suit and concomitantly smart shirt for work, so to keep on top of all the ensuing cotton, I do at least half an hour of ironing every day, with the radio for company. Purchasing a new iron, therefore, is not a trivial task, and we put considerable time and thought into our choice. The appeal of the Russell Hobbs 18617 Easy Plug and Wind Iron (With Extra-Long Flex) was threefold: one, the extra-long flex, which we hoped would be both practical when ironing and able to double as a weapon if it became necessary to strangle a burglar; two, the ceramic plate, which according to the instruction manual was going to be so silky-smooth and whisper-quiet that ironing would become an experience verging on the erotic; and three, the promise of gushing steam on demand, moister, hotter and in greater quantities than ever before.
My hopes, thus raised to unattainable levels, were cruelly yet gradually dashed. The iron disintegrated gently over time, like a lemon in a compost heap. This started simply enough, with a reluctance to get up to temperature, a slow but persistent leak, and a peevish disinclination to produce steam on request. As I wrote in the opening paragraph of my Amazon review, the steady pace at which the Russell Hobbs 18617 Easy Plug and Wind Iron (With Extra-Long Flex) deteriorated was, in many ways, the most distressing thing about it. It worked tolerably ‘until it was just too late to send it back to Amazon; as this moment passed, some kind of shrill alarum that only the iron could hear sounded’, at which point it seemed to feel that it was perfectly acceptable to refuse to make any steam at all, and to ooze unexpectedly and messily onto the clothes like an infected eye. A week later, even when turned up to the highest setting (three blobs next to the terrifying, cryptic label ‘LINEN’) and full of water, the ceramic plate could be described as tepid at best.
My time was not totally wasted, however. I learnt two important things about the Amazon reviewing system: one, it isn’t possible to give no stars (I tried my best); and two, there are rules about the type and number of swearwords that can be used in a review (see Some bad words). The word ‘crap’, for example (as might be used in the phrase ‘FOR GOD’S SAKE, WHY WON’T YOU WORK YOU PIECE OF CRAP?’), is allowed, as is its somehow weaker sibling ‘crappy’; indeed, all the one-star reviews of this iron (and there are several) contain variations on this word. Any heartier Anglo-Saxon, however, is frowned upon, and will result in an email that begins,
We were unable [they mean ‘unwilling’, but whatever] to publish your Amazon review of your recently-purchased RUSSELL HOBBS 18617 EASY PLUG AND WIND IRON (WITH EXTRA-LONG FLEX) because it violated our policy on obscenities.
This comes from the keyboard of someone who has never debated with themselves whether breaking all one’s toes from kicking an object repeatedly might, when seen in the wider context of emotional release, still constitute a win. I surmise that this is a person who has either a partner or a parent to protect them from the twin burdens of housework and Inanimate Object Rage.
On a fundamental level, I object to the idea that I am encouraged to give my view on a product, and simultaneously prevented from deploying words invented for just such a scenario. The idea of allowing the Russell Hobbs 18617 Easy Plug and Wind Iron (With Extra-Long Flex) to go un-reviewed, and therefore my aching thumb, throbbing temples and soggy, crumpled clothes unavenged, however, was even less acceptable. I am a professional copy-editor (among other things), and therefore must be able to compose a review that still conveys the full force of my displeasure without the saltiness so helpfully supplied by swearwords. Looking upon it as a professional challenge, I therefore removed all the profanity from my review. The word ‘fucking’, for example, was replaced with ‘stupid’ (‘the water reservoir is extremely awkward to fill and you have to keep tilting the stupid thing back and forth to see if it has reached the ‘maximum’ mark.’ Also, as one might read in an uncharitable review of a disappointing mail-order bride, there were no jugs included and the hole was extremely small). A complicated analogy involving a surprised banshee and several sex-based obscenities was replaced with a milder, more everyday metaphor, implying that the anguished squeaking sounds produced by the Russell Hobbs 18617 Easy Plug and Wind Iron (With Extra-Long Flex) when asked to produce its much-vaunted ‘steam shot’ were akin to those I emit myself, when, under greater pressure than usual from my faulty and capricious bowel, I suffer the private agony of constipation. I also rewrote the section on the ceramic plate, in order to describe the Iron Get Hot Now indicator as a ‘lying weasel’, rather than ‘a deceitful fuck of an orange light’.
Happily, the final section in which I evaluated the instruction manual and the extra year under guarantee (one receives this in exchange for a lifetime’s supply of spam) required no changes at all. The instruction manual contained a series of dire warnings regarding the horrors that might ensue from allowing this diabolical object into your home, which I share with you now in a spirit of public safety. Firstly, one should never leave the Russell Hobbs 18617 Easy Plug and Wind Iron (With Extra-Long Flex) on when not in use. This was conveyed through a jolly drawing of a house with flames belching hysterically from the upstairs windows. Secondly, the Russell Hobbs 18617 Easy Plug and Wind Iron (With Extra-Long Flex) should never be left with water in it. Water! In an iron! Were you raised in a bag!? Thirdly, raising more questions than it answers, we are advised that children under the age of eight ‘must be supervised at all times when ironing’. Similarly, keep an eye on freely roaming pets, as they can become tangled in the Extra-Long Flex; the manual remains silent on how it might be that nobody would notice the cord winding itself around the neck of an incautious cat or similar until it was too late. Finally, towards the end of the manual we find something for people whose level of laziness oscillates wildly. Too lazy to take your shirt off, yet somehow not too lazy to iron your shirt at all? This manual was written for you, my intermittently industrious friend, by someone who feels that the overlap between the kind of person who would attempt to iron clothes that had not yet been vacated and the kind of person likely to read an instruction manual from cover to cover is almost total:
Don’t iron clothes while they are actually on yourself or another person!
 Man in Post Office (to the rest of the world in general, seeking approval/sympathy): She didn’t tell me she doesn’t do ironing until after we were married! Woman in Post Office: You didn’t tell me you don’t do ironing, either. Man in Post Office (incredulous): ME! Why would I do ironing? I’m a man! Woman in Post Office (witheringly): You don’t do ironing with your Man Parts.
 A proper Iron Get Hot Now light comes on when the iron is heating up, and then turns off again when the iron is up to temperature. This is weaselly distinguished from the deceitful fuck of an orange light on the Russell Hobbs 18617 Easy Plug and Wind Iron (With Extra-Long Flex), which goes on and off whenever it feels like it *for no raisin*. That’s stoatally different.
 Otherwise, they might collapse mid-sheet from a combination of insufficiently nourishing gruel and ironing at eye level (see footnote 3, Please use power wisely), thereby leaving your ironing undone and the iron itself dangerously liable to explode and set the upper storey of your house on fire. Nine-year-olds are fine, though.
I have written before about conflicting ideas of roles within relationships in young people (see Some bad words); the idea of a ‘normal’ introduction to relationships (see Punch drunk); and the place of relationship skills in sex education, as both student (see Shake it all about) and teacher (see Open the Box). I’ve argued (see Shake it all about) that isolating sex from the wider context of relationships is like teaching someone about baking by throwing eggs at them. The over-arching argument I’ve been trying to make in all these posts is that good relationships and good relationship skills are enormously important, and something we don’t see enough of in wider society. Today, I’m interested in what makes a grown-up relationship work, in the context of the General Election.
Here is a brilliant video via Jezebel, showing parents talking to their children about ‘where babies come from’. My favourite things about this film, in ascending order of how much I love them, are as follows: the little girl in purple that says that God sends babies down to be born, particularly her epiphany face when her mother adds some basic biology to her basic theology; the kid and his mum who say variations on the word ‘vagina’ to each other until he’s happy he’s saying it correctly; and another little girl in purple, who identifies the primary physical difference between her parents as her father having ‘bigger hands’ and greets her father’s pocket-based explanation of sex with a perfect Sceptical Toad face and the comment ‘eugh’ (as well she might). Later in the video, however, this second little girl in purple, whose name is Melody, completely nails the whole of sex, marriage, parenting and any co-operative relationship in two words. Her father says, ‘when two adults want to have a child, they have to … ’ and Melody fills in the gap for him. She says, ‘work together?’
The upcoming General Election annoys me for many reasons; there simply isn’t the time to go into them all here, particularly since one of the things that has annoyed me is how long the campaigns have taken (urgh. Is there really a whole week to go?). Therefore, I will confine myself to just two Annoying Things. Firstly, the infantile tone of the debate. Some of the politicians that get interviewed speak as if that very morning they were issued with a mouth and ears for the first time, and are still having trouble negotiating the trickier elements of both listening to what they are actually being asked and responding in a meaningful way. These are people who speak in public,on a given range of subjects, for a living. Why are so many of them so terrible at it? Why do they recycle the same General Election Bingo terms until you could swear you had already flung the radio across the room, and the babbling in your ears is actually the rushing of blood? The lack of cross-referencing in the way some of these people speak about each other and about issues is breath-taking. For example, we are all perfectly capable of remembering the soft soap of the Better Together campaign, suggesting that it was better for both Scotland and the rest of the UK for everything to stay Just So. Regardless of whether that’s the case, we all remember the way the coalition attempted to frighten everyone into doing what they wanted. Skip forward to now, and suddenly the Scots are the enemy. I don’t understand the tactic of wheeling out Sir John Major (knighted for services to People With Boring Voices) to argue that the SNP are dangerous nutters who will flounce off to eat porridge and toss cabers the minute negotiations become strained, thereby destabilising the government whenever they feel like it. Does nobody remember any British history? Of the various parts that make up the United Kingdom, is Scotland really the country most likely to bully others into doing what it wants? I don’t recall Scotland having an empire spread halfway around the world, subjugating other nations, stealing their natural resources and eradicating languages and traditions, but perhaps it happened when I was in the aforementioned radio-based red mist.
I also think it’s bonkers to attempt to frighten potential SNP voters with the notion that the two main parties are ‘unable’ to work with the SNP. This suggests to me that independence would be vastly preferable to being effectively shut out of British politics altogether, by either Cameron or Miliband taking the huff. You’ll notice also that both leaders of the larger parties continually invoke Alex Salmond as the bogeyman representative of the SNP, because Nicola Sturgeon is likeable, professional and popular both sides of the border, so a. let’s pretend she doesn’t exist; and/or b. she’s not really in charge. Alex Salmond is standing for election in a Scottish constituency, but he’s been well out of the limelight since leaving office, isn’t the leader of the SNP and hasn’t been for six months. Despite that, and despite (for me) Nicola Sturgeon putting on a consistent show of leadership skills and general competence, yesterday on PM, she was asked a series of questions implying that Alex Salmond was secretly in charge. Why? This isn’t as bad as the way Hillary Clinton’s gender is used as a stick to beat her with (see The man doctor will see you now), but I doubt very much that a male political leader as popular as Nicola Sturgeon would be asked if he was ‘really the leader’ in this way.
My second Annoying Thing is the way in which so many of the politicians (particularly the men. Imagine my surprise) feel they have to assert themselves by banging on about who they will and won’t collaborate with. Here’s something I’ve learned from my various jobs: I am very lucky to be able to choose who I work for and with (see Exemplum Docet and I was flying from the threat of an office life), and in being able to negotiate the balance of power within each working relationship. However, the majority of people get the colleagues they are stuck with, and have to make the best of it. That is because choosing a new head of department (say) is a collaborative process, and won’t/can’t involve absolutely every person who will be required to work with the successful candidate once they are in place. Similarly, MPs don’t get to choose who we elect. Once we’ve elected them, all the MPs in government, as part of a coalition or whatever, should show that they are grown-up people who respect the choices made by the electorate by working together. In any context, but particularly in the context of the Scottish independence referendum and how close it was, it simply doesn’t make sense for either of the larger parties to say ‘we won’t work with the SNP’, when the SNP members will have been elected by exactly the same democratic processes used to elect the person speaking. Yes, you will work with the SNP (or the Lib Dems, or UKIP, or the Greens, or Plaid Cymru, or whomever). If you don’t, you are denying the democratic rights of every single constituent that politician represents. Moreover, those potentially SNP-voting constituents are, I hope, smart enough to realise that ‘I shouldn’t vote for the SNP because the Conservative/Labour party is too childish to work with them’ isn’t sound logic. You may want to throw your toys out of the pram; you may not like having to work together, but in such a close election full of uncertainties, one of the few things we can be sure of is that whoever is in government will have to work with at least some people they find distasteful.
Finally, consider this: just as everyone else has to work with people they may not like much, everyone has to deal with disagreement within their relationships. Everyone. Imagine a coalition/collaboration between (say) Labour and the SNP. Imagine that partnership as a difficult marriage (see Delete as appropriate) and it becomes clear fairly quickly that, again, Melody is spot on. You won’t agree with your partner on every single damn thing and sometimes you will argue with each other. Our metaphorical spouses are going to be exhibiting classic Dysfunctional Couple Behaviour and arguing in public. In a political context, again, I don’t think this is necessarily a bad thing. A healthy relationship is not one in which the partners never disagree; that would be both weird and dull. A healthy relationship is one in which disagreement is expected, because you are both complex, passionate, grown-up people with your own opinions. A healthy relationship is one in which those disagreements are handled in a calm, mature and open way, probably involving compromise on both sides, but which ultimately makes the relationship better. Therefore, if political disagreements lead to more public debate, fine: the largest governing party will be unable to rely on an overwhelming majority who can be whipped to vote a particular way, but instead will have to actually persuade a bunch of people who don’t agree with them in order to get anything passed. In other words, they will have to do politics properly.
 The kid in the video I mention in the second paragraph who describes having a child as ‘sperm egg collide blah blah blah’ is the closest read-across to our current sex education, except we don’t bother with the ‘blah blah blah’ part.
 Also the eponymous central character of my first children’s book, Sceptical Toad Goes to School.
 Contrast that with the group hug between the three female party leaders during the TV debate, and the way various female politicians talked this morning on Woman’s Hour about co-operation and working to change British politics as a whole.
 ‘I don’t care if you like the own-brand chickpeas better!’ <flings can into trolley>
I wonder how long it will be before class is determined not by income, one’s father’s occupation, school or socio-economic group, but by simply placing a load of foodstuffs on a table and seeing which ones a given person can name; which ones they can use correctly in a meal; and which ones they eat regularly themselves. My mother maintained that she once heard a large lady get out of a taxi in Henley-on-Thames and accost a passer-by by braying at him, ‘my good man, is there any butter in this ghastly little town?’ In my mind’s eye, the lady in question is tall, bold about the nostrils, and voiced by Penelope Keith. While we were living in Henley-on-Thames ourselves, my mother picked up the habit of referring to builders and other assorted tradespeople as ‘little men’. I found this most confusing (as indeed any child familiar with the work of B.B. would). The men in question were rarely little, and yet I instinctively reach for both this awful term and my Penelope Keith voice whenever I have to deal with ‘little men’ myself.
Recently, we had some repairs made to the roof of the railway room, by a local builder named Tom. He came to survey the damage before starting work, which meant actually coming into the house. This seemed to discombobulate him, and he insisted on taking his shoes off and carrying them apologetically as we went in and out of various rooms to give him a decent look at the relevant piece of roof. We are not a ‘shoes off’ household, as anyone could tell from a cursory glance at the carpets, but he seemed more comfortable this way. Tom turned up a few weeks later, startling me by being on time and on the day we had agreed, accompanied by what I will refer to as a sous-builder. They set to work, fortified with horrible tea (I bought it specially, of which more later), and were finished by lunchtime. This meant that they came into the kitchen (each clutching their shoes forlornly) at exactly the same moment as Giant Bear came home for lunch. Lunch that day was avocado on toast because OF COURSE IT WAS.
The previous day, while purchasing the aforementioned horrible tea, I was suddenly overcome by a wave of reverse snobbery. Why, I reasoned, should I assume that builders must want builders’ tea (i.e. as strong as possible, with milk and two sugars)? We did already have some black tea in the house, but I somehow felt that neither lapsang suchong nor Earl Grey would get the job done. And yet it seemed so silly to buy more tea, when we already have an entire cupboard dedicated to it: black, red, green, white, pink, orange and various shades of herbal in both bag and loose-leaf varieties, as well as two filters, a tea-ball and three kinds of hot chocolate. For guests so bewildered that they can only stammer ‘Whatever you’re having?’ we have the Mystery Jar, in which any lone or unidentifiable teabags are housed, and subsequently fed to the indecisive (see Indecisive Cake). We are also in possession of no fewer than six teapots of varying sizes, and, bearing in mind that the house usually contains two people at most, twenty-six mugs. In the end, I bought a box of builders’ tea anyway, but stashed it out of sight so as to conceal the fact that I had bought it specially. Halfway home, it suddenly occurred to me that perhaps they might prefer coffee, but by then it had started to rain and I had to take my chances. A few hours into the roof-repairing, we reached the moment of truth.
‘Can I make either of you a cup of tea, Tom?’ I asked casually (or so it would seem).
‘Yes, please,’ he rumbled. ‘Milk and two’. I had an apple tisane and we were all faintly embarrassed. A couple of weeks later, we attempted to purchase an avocado in Sainsbury’s and discovered that the man on the till had never seen one before and didn’t know what it was. Giant Bear said helpfully, ‘it’s a kind of pear’. This did not improve the situation.
 I recently came across a restaurant review online, consisting of a single star and the following plaintive sentence: ‘They made my risotto with long-grain rice. Need I say more?’
 When we lived together, S used to refer to this as Normal Boring Tea (also called Ordinary Tea, like Ordinary Time); my friend H calls it Normalitea.
 This phrase actually comes from bullfighting, and refers to the moment when the matador makes the final stroke, attempting to sever the spinal cord by plunging his sword between the shoulder-blades of the bull. In doing so, his whole body is exposed to the horns, and if he does not hit his mark, he will be horribly gored. Truth indeed.