Apologies for such a long gap; I used up all my writing beans on a) trying to protect myself from the global pestilence, and b) doing a Masters.
Recently, I read an article by Sean Manning in which he interviewed Andy Roddick and several people from of his professional and personal support network, which strikes precisely the delicate balance in sport that I find so interesting: on the one hand, the sheer physical ability and endeavour required to pursue elite sport, and on the other, the emotional dangers of so much attention, such high expectations, and every disappointment taking place in public. The article ranges widely over Andy Roddick’s life and career, but what has stayed with me is how hard he found it to enjoy his success. His trainer at the time, for example, describes Andy Roddick losing the 2009 Wimbledon final to Roger Federer. The match was an absolute epic, lasting well over four hours. Roddick lost, 14-16 in the fifth set. Afterwards, he sat in the shower for twenty minutes, distraught and unmoving, letting the water stream over him. Roddick himself describes that match only in terms of pain, speaking of his team “hurt[ing] as much as I did in that moment”; there is no sense that, having recovered from the obvious and natural initial disappointment, he was able to take comfort from the many, many good things he did in that extraordinary final, and indeed across the rest of the tournament to get to the final at all. At the very least, one would expect him to register that he played well: well enough to take the best player in the world at the time right to his limit; well enough, in fact, to win more games in the final than Federer did (Roddick won thirty-nine, Federer thirty-eight. Proof, if proof were needed, that what matters is not how many points you win, but which ones). Surely there can be no disgrace in losing to Roger Federer at the height of his powers? And yet Roddick remained unable to feel good about any aspect of that jaw-dropping match for many years because he didn’t win. He set the tone immediately after the game when, sweaty and raw, he was asked to describe his performance, saying simply “I lost”. Winning is conceived of here as all, and losing as worse than nothing: a kind of abjection in which every defeat is dragged around forever as a mark of not being good enough. The question I’m interested in here is implied throughout the article (and, I think, throughout Andy Roddick’s career in professional sport, and the sporting careers of so many others), and it’s this: what is the correct mental attitude for a competitive athlete to take towards competing?
Roddick and others describe him as hyper-competitive, the same naked compulsion to win (and win utterly, annihilating, crushing and demoralising his opponents) expressed in everything from Grand Slam finals to supposedly casual games of Scrabble. He recalls his last year on tour, tortured, dissatisfied and unhappy, not yet thirty years old. Rafael Nadal, Andy Murray, Novak Djokovic and Roger Federer were all steaming up in the outside lane, a new generation ready to overtake (and, as he saw it, humiliate) him, no matter how hard he worked. It’s worth remembering here that Nadal, Murray and Djokovic are all roughly the same age as one another (i.e., four or five years younger than Andy Roddick), but Federer is actually a few months older and had absolutely no business sustaining such a long and devastating purple patch. Moreover, all those players I just named are European, while Roddick was often the sole male tennis-player representing his sports-obsessed nation. The formation of ‘the Big Four’, then, did not look or feel like a timely and appropriate changing of the guard in which one generation naturally succeeded another; rather, it looked and felt (and was framed by the press) like the end of an era that had barely got going. Roddick continued to win matches, and he continued to play well, but under so much pressure to take responsibility for the whole of American men’s tennis, winning lost its flavour. He says, of another, un-named player on the tour that year, “I see this guy floating around and he’s like #25 in the world. He’s the happiest guy I’ve ever seen. And I’m just like … I just want one more look at the basket. I’ll do anything.”
That feeling (“I’ll do anything”) is by no means unique to tennis. Indeed, I want to suggest here that it is a malaise that goes right across competitive sport, and that has only recent been challenged in a meaningful way, and only then after the athletes in question have been able to purchase a certain amount of respect and freedom by succeeding within the existing toxic culture. For example, in a recent article by Donald McRae, the swimmer Adam Peaty describes feeling godlike before races, a sensation that was ‘built on a consuming obsession to be the best. Even another world record, or gold medal, was never enough.’ McRae then outlines Peaty’s more or less total mental and emotional breakdown, after years of the strain of feeling, as Peaty puts it, ‘under siege’ by the quest for physical perfection. Similarly, the cyclist Victoria Pendleton recently spoke to the journalist Simon Hattlestone about being unable to let go of defeat, and of all kinds of tone-deaf, emotionally cruel and incoherent behaviour from her coaching team, including them leaving the Olympic Village in 2012 without speaking to her because she ‘only’ got a silver medal in an event she was expected to win. Within this deeply troubling competitive culture, Pendleton accepted this piece of rudeness as what she deserved, saying, ‘[m]y coaches left the village without saying goodbye. I didn’t expect them to. Why would they? They were glad to be rid of me’. My final example is from the documentary Linford, in which Linford Christie speaks about (among other things) winning the 100 metres at the Barcelona Olympics in 1992. He says that he anticipated winning, and expected to feel a sense of euphoria when he crossed the line. In the event, his first emotion was a sort of horror at how much worse the press intrusion was likely to be from here on in; followed by the knowledge that he was going to be asked all over again about the drug-related accusations made against him at the Seoul Olympics; followed by feeling that the victory didn’t ‘count’ anyway, because even though he beat a field of world-class sprinters (spoilers: there is no other way to win an Olympic sprint medal), Carl Lewis, who had beaten Christie the year before at the Tokyo World Championships, hadn’t made it through the US trials and wasn’t part of the final in Barcelona. Asked about that race in Tokyo, Christie mentions that the first four people in that race ran what were at the time the four fastest times in history, all in the same race; that is, Christie finished fourth, with the fourth-fastest time ever run by any man over that distance and a new European record. Despite the astonishing time, Christie finished behind three Americans (Lewis, Leroy Burrell and Dennis Mitchell) and therefore without a medal, feeling that he had ‘nothing to show for’ that race. Much like the Wimbledon final discussed above, he was part of a landmark sporting event, which he himself dismisses out of hand. Like Andy Roddick, even now Linford Christie takes very little pleasure in any of the good things he did in that race because he did not win.
I mention Adam Peaty, Victoria Pendleton and Linford Christie alongside Andy Roddick to illustrate several points, all of which I think apply to sport more generally, rather than just tennis. Firstly, the highly questionable coaching practices and cultures that actively impose and encourage hyper-competitiveness recur across sports that are wildly different, but nevertheless clearly speak to a common problem (perhaps because I’ve focused mainly on individual sports in which the ‘supporting’ team is generally out of sight, rather than team sports where one expects to get support from one’s fellow sportspeople). Secondly, there is hope: Adam Peaty spoke incredibly well during the Paris Olympics about his delight at winning a silver medal, which suggests that he has made a decent recovery. Moreover, not all athletes start off with the unhealthy attitude and then need to be rehabilitated. For example, the Australian race walker Jemima Montag did an extraordinarily composed post-race interview a few days ago at the Paris Olympics immediately after winning a bronze medal, in which she stated without apology that, while she wanted the gold medal, she didn’t need it. Thirdly, as all these individuals show, while encouraging relentless competitiveness can drive a person to work harder, to make greater sacrifices, to achieve more, it remains a deal with the devil, the price of which is profound long-term emotional and physical damage, inflicted by oneself and by others. Nothing other than total, eternal, public, indisputable success will do. That means winning at all costs, while at the same time those wins mean less and less. There is no good or good enough, but only the best. On this logic, number twenty-five in the world won’t do. Number five in the world won’t do. Number one in the world won’t do, because you can’t stay there long enough. There is no long enough. Long enough means forever. Even winning itself won’t do, because every win must be followed with another win, a better win, a world record followed by another, better world record, a more prestigious championship, a new combination of major championships, a more fearsome set of opponents, and so on and so on. So, good enough can never be reached: the satisfaction and serenity that one might expect to follow a win are drained away. No wonder, then, that athletes who have had their natural competitiveness twisted in this way struggle to know when to retire, because they have no sense of satisfaction or closure. Roddick, Peaty, Pendleton and Christie all describe the same sense of victory being hollowed out, which Roddick articulates by saying, “there’s relief when you win, not out-and-out joy”. This kind of competitiveness goes well beyond a healthy wish to work hard, to achieve good things and to be appreciated for doing so. Like a curse in a fairytale, it becomes something very much darker, and very much harder to escape: a mountain that can never be scaled, or perhaps, a mountain that can be scaled, but from the peak of which the view is only clouds. Meanwhile, athletes such as Montag (and Peaty, now that he has spent a lot of time in both therapy and church) are released to quietly do their jobs, ascending to whatever point on the mountain was available to them on that day, feeling grateful for whatever the climb gave them, and then going home to do other things, satisfied with that work, and with absolute clarity that they don’t need to climb any further mountains in search of validation.
Manning describes Roddick and his team being asked, from the very early days, whether he was “the next Agassi” or “the next Sampras”, as though he couldn’t just be the first Andy Roddick and have that be enough. It’s worth reminding the reader here that Andy Roddick is both blond and white: a classically American white man, described in the press of the time with familiar but ultimately vacuous phrases like ‘corn-fed’ and ‘all-American’. Much as the British media foams over the idea of a British person winning Wimbledon (‘our’ tournament), the way that the American media relentlessly pushed Roddick to surpass those that had gone before him, and Agassi and Sampras in particular is, I suggest, a subtle form of racism, assuming that a blond, white man will naturally overtake players who were embraced as American heroes belatedly and grudgingly, very much in spite of their immigrant heritage. Roddick was never less than entertaining, physical and committed, and I always felt sad for him when he was compared to his heroes (or, worse, invited to make such a comparison himself), at such a young age, and in such a crass way. The 2009 match mentioned above took Roger Federer past Pete Sampras in terms of the number of majors won, and Sampras was courtside to see him do it, presumably hoping that whole time to see his fellow American prevail. Sampras’s presence also gave the whole thing the slightly uncomfortable feel of a tennis-based production of Macbeth: Sampras, weirdly anonymous in a suit and tie, fades in and out of focus, while endless journalists prepare to yell their single line (“are you the next Banquo?”) at the victor. This hyper-competitive, hyper-visible world does not allow one to simply turn up and be whomever one is; clearly delineated from those who have gone before; at ease with the idea that sport is a fundamentally meritocractic arena in which the better person will naturally and justly prevail; eager, unashamed and comfortable with one’s humanity, one’s flaws and quirks; and above all grateful for whatever one is able to achieve and contribute. This isn’t quite the same as the banal idea that it’s ‘the taking part’ that matters, but it’s not far off. Christie swats away that notion, calling it “bullshit” and pointing out that nobody sane would put their body and soul through the constant, daily ordeal of press intrusion and punishing training just to ‘be there’: it’s not worth it unless you win, he states. That seems very logical, and yet only one of the eight men lining up in whatever major city is hosting the next championship is going to come away with the victory that will make of that work ‘worth it’. What, then, are the other seven doing there? What do they think is going to happen? What is their contingency plan if they don’t win? Christie won the men’s 100 metres at the 1993 World Championships in Stuttgart, outside the world record by a single hundredth of a second and making Carl Lewis (who did get through the US trials that year) look ordinary in fourth place. How, I wonder, did Lewis handle that? How did the other six competitors handle that? It strikes me that a fair number of them probably did more or less what Manning describes Andy Roddick doing after losing Wimbledon to Roger Federer: they crumpled up somewhere, dazed, exhausted, surprised and wounded, unable to understand what had just happened to them, and with no earthly idea how to process it.
It’s worth saying that sport has often been a world in which one cannot say “look, it’s just a person hitting a ball at another person” and have such a statement taken at face value. I don’t reduce tennis to a person hitting a ball to devalue the achievements and sacrifice of professional athletes; rather, I am pointing out that treating sport as life and death, and in particular treating defeat as death, is clearly, demonstrably and incredibly bad for the mental health of those that make a living from playing sport. Moreover, the way that female athletes in particular have been criticised for prioritising, articulating and protecting their mental health (I’m thinking particularly of the tennis player Naomi Osaka and the gymnast Simone Biles) is not unrelated here. Victoria Pendleton, a fully grown woman, speaks of being punished for having a sexual relationship, treated as though she had ‘committed a crime’ by both having a private life and for wishing to keep it private, supporting the idea that athletes’ lives are not their own, and their emotional and mental needs of little concern. Linford Christie sued the journalist John McVicar in the 1990s for alleging that he (Christie) had taken performance-enhancing drugs. Christie won the case (a moral rather than financial victory, as Linford makes clear), only to have McVicar mock him immediately after the judgment for daring to express how stressful, distracting and unfair this unnecessary affair was, calling him (Christie) ‘the Judy Garland of the 100 metres’. Professional athletes simply can’t win here: if they appear not to care enough about their sport (e.g. by attempting to live as whole people with lives beyond sport), they are unprofessional; if they appear to care too much (e.g. by reacting with rage and sadness when their entire career is called into question), they are hysterical. Indeed, even though I’m arguing here that the bind just outlined applies to any and all genders, just as I’ve chosen the gendered and loaded word ‘hysterical’ deliberately here, McVicar also chose Judy Garland deliberately, a woman well-known for her struggles with addiction, thus attempting to revive the drug-related allegations and insinuating that Christie was somehow not a proper man. That roaring sound you can hear is the cognitive dissonance created by the tension between, on the one hand, the way in which Christie was regularly pounced upon by tabloid newspapers and bad television programmes throughout the 1980s and 1990s as that most fascinating, eternally sexualised object, a muscular Black man (and in this case, a muscular Black man who could be blamed for drawing that unwanted attention to himself by wearing lycra in public), and on the other, declaring such a person to be somehow insufficiently masculine to deserve respect. Nearly thirty years after that court case, we are only just starting to get comfortable with the idea that elite sport is undertaken by normal human beings, who have emotions, desires, frailties and non-sporting ambitions, all of which they should be entitled to speak about in public or keep to themselves just as they like. I also suggest that, as discussions around the kit for women’s gymnastics, women’s football and women’s tennis in particular demonstrate, we have made very little progress on deciding whether professional sportspeople turning up to do their jobs in clothes entirely appropriate to that job are in any way asking other people to comment on those clothes, or the bodies that wear them.
Society has a troubling tendency to see sport as a substitute for military conflict, in which we are encouraged to support those from our own nation against everyone else, lumped together as foreign, Other and therefore somehow undeserving of victory. In such a model, nuance (such as the idea that sport might not be the only thing in a person’s life) finds very little purchase. Being Good At Sport is seen as an athlete’s whole being. Roddick’s wife Brooke Decker describes the change in her husband when he left that toxic culture. She says, “it was like a light switched on in him. And he became the person who I knew and fell in love with. And after some time I realized, Oh, this is a man who was suffering and really grappling with the end of his career. And the end of that identity.” This, I think, is key to how we think about sport: as a (problematic) way to find a personality, both for those that play it and those that watch it. I think this is particularly true for men, simply because women are not expected to watch sport (not out of choice, anyhow). It’s very rare that, on hearing that I watch a lot of sport, a person responds with anything other than incredulity. They immediately seek explanations. Does your husband watch sport? Not without me, no; in fact, before we met, I don’t think he had ever watched any sporting fixture of any kind all the way through. I once sat in a pub, knitting a sock, watching a Six Nations game and patiently explaining crossing to my husband (who would have been an excellent number 8 were he not bespectacled, fat and greatly averse to physical discomfort), to the great distress of all the other men in the pub. Did you used to do competitive sport yourself, then? No, not really; certainly no more than anyone else does at school, and no more competently than anyone else. Do you follow a particular team or player? Again, the answer is no, not really, and listing the sports that I enjoy watching (athletics, rugby union, gymnastics, tennis and snooker) only makes it worse. Not football? they screech. Not even the World Cup? This feels to me like yelling at an atheist for not going to church (not even midnight mass?) – and not just any church, but our church, our local, personal church at which we worship just the religious figures with whom we identify most closely. While sport can contribute to, support and prompt larger conversations about important, bigger ideas, like nationhood, gender equality and so forth, it seems to me that sometimes we ask too much of it. It’s just a person hitting a ball at another person.
Think about how we choose a team or a player to support. One, there are circumstantial factors: our nation, region or city; the team our friends or family support, or took us to watch at an impressionable age; a person who seems to represent or speak for us who also does a sport that we like. These things have nothing to do with our chosen team or player as such – they either happen to match us in a grand game of Sporting Snap or they don’t. Two, there are emotional factors: our sense of how a game should be played; an interview we watched in which this person or that was funny/generous/insightful; a vague sense that, were the world to be rearranged, we might play a bit like/be best friends with that person; a nice voice; a nice haircut; and so on. Most of that is bullshit, though, because we have no idea what that person is really like. What we are seeing of them is partial, and heavily filtered. And yet, we will sit on our sofa and watch hour after hour of them Being Good At Sport, maybe well into the night because the sport is taking place in another time zone, yelling and clapping and slapping the furniture because somebody did something with a high degree of skill and enthusiasm, and we appreciate their work. How, then, can it be fair to demand that this person account for themselves by attempting to answer banal questions like “are you the next Simone Biles?” or “are you the next Serena Williams?”? I’ve deliberately chosen two women of colour, each of whom is very unlikely to be surpassed any time soon, and each of whom has dominated sports that remain overwhelmingly white, in order to illustrate how utterly inappropriate and stupid such questions are. Whatever answer is being invited is completely uninteresting: obviously the only possible answer is to be gracious and respectful towards the person one has just been invited to consider. What is really being gestured at, underneath the lazy journalism, is something like “are you going to fill the role in my life currently filled by someone else? I’m basically unable to cope with change” and “do you think you can be the best person ever ever EVER to do the thing you get paid money to do?”, as if we were all eight years old and trying to decide who was the fastest runner or the best at spelling, and then following that up with a discussion of whether any of us could possibly grow up to run the fastest, spell the best – run and/or spell so well, in fact, as to eclipse all runners and spellers, both past and future.
There is, I think, a further confusion in such questions. Firstly, sport (an endeavour that prides itself on notions of fair competition) and sportspeople are not treated fairly by journalists. The article that prompted this post is unusual in that Manning treats Andy Roddick like a fully rounded person throughout, with a personality that goes beyond tennis, and thoughts and feelings of his own, rather than as little more than a container for the sloshing, incoherent hopes and fears of those that have chosen to ‘follow’ that athlete, and who is expected to feel some sense of responsibility towards that faceless crowd. Roland Barthes notes in an essay on wrestling that ‘out of five wrestling matches, only about one is fair’ (Mythologies, pp.11-12), and suggests that this unfairness is what makes a match interesting, giving us a clear sense of who ‘should’ win and who should not, and thus allowing us to become more fully emotionally engaged because we have picked the ‘right’ person to support. I don’t think Barthes is entirely correct here, because (as Christie’s career illustrates, if such an illustration were needed), we cannot tell just from watching a race or a wrestling match whether one of the combatants has taken performance-enhancing drugs, and therefore we might unwittingly choose to support the ‘wrong’ person). However, even if Barthes is correct, his idea that we need to identify (and have an opinion about) who ‘deserves’ success doesn’t apply to the unfairness I’m describing here. That unfairness is itself getting in the way of the sports spectator forming an accurate view of who does or does not ‘deserve’ to be in a team or to represent a nation; who does or does not ‘deserve’ to win; who does or does not ‘deserve’ to have their personal life picked over in public; and in Andy Roddick’s case, who does or does not ‘deserve’ to be tasked with resolving a crisis in a particular sport, saddled with a reductive nickname, or photographed endlessly without a shirt. Secondly, the “are you the next x?” question conflates the emotional and physical (because the athlete should want to be ‘the best’, whatever that means) but also neglects the emotional in favour of the physical, because again the athlete is being encouraged into deeply unhealthy mental habits, dismissing or flattening what they have already achieved by comparing them to someone ‘better’ (whatever that means), and moreover to someone who is almost certainly going to be made aware of their answer. Thirdly, the timing of such questions is deeply unfair. As noted above, many professional athletes are very young when they start being asked if they are the next big thing, but I’m also talking here about post-competition interviews, when the athlete hasn’t had time to register what has just happened to them, nevermind what it might mean or form a coherent sentence in which to express some of that. It isn’t fair to shove a microphone into the face of someone who is both exhausted and deeply disappointed to ask them existential questions about their relationship with whomever it was that most recently did the thing they have just attempted. Those questions can wait until the athlete has had a wash, a clean set of clothes, a drink, a decent meal and time to quietly reflect on what this defeat or success means for them, in the context of their career (not someone else’s).
bell hooks speaks about the cure for patriarchy lying in men, and specifically in learning to accept criticism with gratitude. Similarly, it seems to me that learning to accept a sporting defeat with grace and thoughtfulness (and perhaps even gratitude) would be far more constructive, allowing an athlete to process losses and perhaps even to celebrate them, moving on from whatever disappointments they might experience as better, more stable people. I’ve made a related point with regards to my own profession and how much academics get paid in another post, and it’s this: be satisfied. Be satisfied with what you have already done, where you are, what you are doing now. Be present. That doesn’t have to mean complacency, laziness, settling, or even becoming one of those dreary people who can only talk about how good they used to be. It means finding contentment in how good one already is and taking reassurance and confidence from that as a way to improve, rather than using discontent and imposter syndrome to frighten oneself into chasing a hypothetical ‘better’. Roddick played twenty-four matches against Roger Federer, and won three of them. That seems extraordinary to me when we remember just how startlingly good Federer was in the five or six years leading up to the 2009 Wimbledon final mentioned above, and just how dominant he was – how rare it was for anyone to push Federer to his limits. However, it’s not as extraordinary as the fact that Andy Roddick, despite being one of the best players of his day, has only just come to terms with the idea that he is, and always was, good enough.





